We shape what goes on the screens, build the systems that drive them, and run the show night after night.
None of them works properly without the other two, so we do not rank them.
Content direction, technical specification and system design. We are not a CGI house and we do not claim to be cinematographers. We are the people who shape and manage what ends up on screen, and who specify the system that puts it there.
Video and camera engineering across the whole rig: playback, screen processing, signal distribution, and the pre-production that happens long before anyone arrives at the venue.
Advanced show control, custom show control concepts, and bespoke scripting and software development where a show needs something that does not exist off the shelf.
A rig that follows the performer, not the other way around.
Most shows run to a clock. The better ones run to the person on stage. We build the control systems that let a show hold on a moment for as long as the room needs it, then move on when the performer decides, with picture, lighting and sound staying locked together through every transition.
Where that takes software which does not exist yet, we write it.
Every department needs a network. Lighting, video and sound each grew their own, and at the scale shows now run, separate networks have stopped making sense. We design and manage centralised, show-wide networks that carry every protocol properly, on one system actually engineered for it.
Our own studio for building, programming and testing a show before the rig goes up, so the first day on site is not the first time it has run.
A proven background in audio engineering sits behind the video work. We still deliver green screen, virtual sets and online events where a show calls for it.
Stills from Professor Brian Cox’s arena tour, where we handle the video design, engineering and show control.
Selected work
We work alongside
Send us the outline and we will tell you how we would build it.
